Cyberpunk Redone

Cyberpunk Redone is an experiment from the Dopamine Studio lab. We rebuilt the Cyberpunk 2077 terminal interface as a real web experience, then expanded it into four connected systems: a messaging inbox, a multi-station radio, a NET browser, and a vehicle marketplace called AutoFixer.

This is where we test ideas without a client brief. The goal here was faithful recreation. Take an interface that was designed for a game world, and make it feel exactly like the real thing on the web.

Dopamine built the whole thing in Webflow. A neon-on-black CRT shell, beveled HUD frames, scanline texture, and a set of screens that each take the fiction in a new direction.

Because this is a lab build, the point was never traffic or conversions. The point was craft. How close can a browser get to a Night City terminal, and what does it take to hold that feeling across an entire experience.

Drake Related Rebuild

This is a lab project. Self-initiated, exploratory, built to test our own limits rather than serve a client.

The reference is drakerelated.com, the official Drake website. It is not a normal store. It is an explorable 3D house where you move through rooms, hover over the objects scattered inside, and buy them on the spot. Décor and catalogue are the same thing.

We set ourselves a single, demanding goal: rebuild it faithfully in Webflow. Not inspired by. Not a loose homage. The same rooms, the same isometric aesthetic, the same hover-to-shop interactions, the same explorable feel, recreated on a platform nobody expects to carry an experience like this.

Dopamine built three rooms, mapped every object to a live product, and shipped the whole thing on Webflow Ecommerce.

The purpose was never traffic or conversion. The purpose was the recreation itself. How close can we get, on Webflow, to a build the industry assumes requires a custom engine.

Fallout Terminal Rebuild

This is an experiment from the Dopamine Studio lab. We rebuilt the Fallout terminal as a real web interface, then added a navigable New California Republic map, a vault reservation flow, and a S.P.E.C.I.A.L. stat screen.

This is where we test ideas without a client brief. The goal here was faithful recreation. Take an interface that was never meant to live in a browser, and make it feel exactly like the real thing on the web.

Dopamine built the whole thing in Webflow. A CRT-glow monochrome shell, grid typography, rigid terminal logic, and four screens that each take the fiction somewhere new.

How close can the web get to a 2077 RobCo terminal, and what does it take to hold that feeling across an entire experience?

Airpods Max Picker

The technique is product visualization, and the bar we set was studio photography. Take a pair of over-ear headphones and make a browser render them the way a photographer would shoot them, lit with intent, metal catching reflections, the whole thing generated live the moment a visitor arrives. No pre-rendered frames, no day rate, no booked studio.

Everything rides on the lighting. Metal has almost no color of its own, so an aluminum surface is only ever a mirror of the room around it. Light it right and it reads as a premium object before a word of copy loads. Light it wrong and the same model falls apart into gray plastic. So we built a studio inside the browser, an asymmetric film-set rig that sweeps reflections across the metal as the object turns, and ran it on rasterization at a clean sixty frames a second.

Seven finishes, swapped on a tap with no reload. A composed hero angle. A product floating on light alone.

How close can a browser get to a campaign photograph, and can it hold that the entire time someone is turning the object in their hand.

Virtual Assistant

An AI avatar meets you in the space and talks. Tell it what matters. Room for a home office, light in the mornings, somewhere the dog can run. The avatar listens, walks you through what fits, and answers as you move room to room. Less a tour, more a conversation with someone who knows the property and wants to understand what you need.

Built in-house on studio R&D.